Number Four
Transcript:
Someone failed to recognize your magnificence. So whatchu gonna do?I’ll tell you what you gonna do. You’re gonna be unperturbed, you're gonna be unbothered. You’re gonna continue to be unfuckwithable, you gonna recognize that the party begins and ends with you. You are the motherfuckin party. So grab a cake. Grab a candle. Blow your shit out and blow your shit up, bitch. The yummy and good good in me, recognizes the yummy and good good in you to the goddamn yummy and good good.
[laughter]
So for what eyes are you prepared? Mmm mmm. Don’t you dare be upset.
This is a reason to be excited. Because now you get to completely recalibrate your life for the sake of being prepared for magnificence. So, in preparation, whatchu gonna do first?
A sweet lovely said to me, “You always dress for a different kind of fashion.” [laugh]
To which I said “No, baby. I always dress for good news.”
See what I’m saying?
Preparation is important.
We meditation’ Get it together. Calm yo ass.
Divination by John W Love Jr.
John W. Love, Jr. is an interdisciplinary artist traversing literature, performance, installation, video, mysticism, and media. Crystalline worlds of salt, blurred lines and Absurdist kisses to the psyche have brought forth internationally recognized works such as Petal Boy (installation), Black Lily Billy and the Labia Who Knew Him (performance), FECUND (interdisciplinary), Ooo girl, Anchorage! (video), fecund: Night (video), The Diaries of Neequa or She Who Would Be King (performance), and the pop-up bathroom installation that looks HB2 squarely in the genitals, SALT DADDY (sound).
Particularly poignant in the age of COVID-19, Love’s virtual initiative The Buddha Has Teeth has unleashed the sumptuously irreverent CALM YO’ ASS meditation series.
Guggenheim Fellow and 2020 Creative Capital Awardee, Love is presently navigating the psyche of his mystic The Perpetually Pregnant Man as he unravels his most insidious thought in the salt infused interdisciplinary work, The Cathedral Of Messes.